蓼科に建つ私設博物館「人形の館」に常設されたステージで衆人環視の中、「乙女文楽」演者が謎の死を遂げた。二年前に不可解な死に方をした悪魔崇拝者。その未亡人が語る「神の白い手」。美しい避暑地で起こった白昼夢のような事件に瀬在丸紅子と保呂草潤平ら阿漕荘の面々が対峙する。大人気Vシリーズ第2弾。

避暑地に建つ私設博物館「人形の館」。そこに常設されているステージで、衆人環視の中「乙女文楽」の演者が謎の死を遂げた!被害者の一族では、二年前にも、新婚の青年が殺されていた。悪魔崇拝者だった彼は、「神の白い手」に殺されたのだと、若き未亡人は語るのだが!?ラストの一行で、読者を襲う衝撃の真実。

威廉•吉布森 (William Ford Gibson，1948-) 当代最重要的英文作家之一，科幻小说宗师，赛博朋克之父。 他的处女作《神经漫游者》开创了“赛博朋克”这个文学流派，1985年史无前例地囊括雨果、星云、菲利普•K•迪克奖。2005年《时代》将其列入“1923年以来100本最佳英文小说”。 吉布森不仅为科幻小说开辟了一个全新的疆域，他天才的文风和犀利的哲学思辨，更赋予科幻小说一种新的质感与厚度。他的每本小说，均是可以被反复重读、反复品味的当代经典。 他也是“网络空间（cyberspace）”这个词的发明者。如今处处可见的“网络空间”和“虚拟现实”就是因为吉布森小说的影响力而进入了我们的语言系统。

This text presents in English an array of essays on design by the seminal media critic and philosopher, Vilem Flusser. It puts forward the view that our future depedns on design. In a series of essays on such ordinary things as wheels and umbrellas, Flusser emphasizes the interrelationship between art and science, theology and technology, and archaeology and architecture. Just ...(展开全部)

Renowned social critic John O'Neill takes the human body as the focal point of his inquiry into the complex relation of individuals, nature and social institutions. The body once served as the foundation for thinking about politics, society, and the world, O'Neill asserts, but this human proportion has been lost in the modern world. Carefully delineating the course and the cons...(展开全部)

乔治·亚历山大·库布勒(1912.6.26-1996.10.3)，美国艺术史家。库布勒生于好莱坞，但他大部分的学习生涯是在英国完成的。他首先去西储学院念高中，随后进了耶鲁大学，在那里获得了艺术学士和艺术硕士学位，导师是艺术史家亨利·弗西林(Henri Focillon)。从1938年开始，库布勒在耶鲁任教。在1999年，获得威廉克莱德赫特勋章。他最重要的著作是《时间的形状》(The Shape of Time: Remarks on the History of Things)。《时间的形状》一书出版于1962年。

When it was first released in 1962, The Shape of Time presented a radically new approach to the study of art history. Drawing upon new insights in fields such as anthropology and linguistics, George Kubler replaced the notion of style as the basis for histories of art with the concept of historical sequence and continuous change across time. Kubler’s classic work is now made av...(展开全部)

When it was first released in 1962, "The Shape of Time" presented a radically new approach to the study of art history. Drawing upon new insights in fields such as anthropology and linguistics, George Kubler replaced the notion of style as the basis for histories of art with the concept of historical sequence and continuous change across time. Kubler's classic work is now made ...(展开全部)

When it was first released in 1962, "The Shape of Time" presented a radically new approach to the study of art history. Drawing upon new insights in fields such as anthropology and linguistics, George Kubler replaced the notion of style as the basis for histories of art with the concept of historical sequence and continuous change across time. Kubler's classic work is now made ...(展开全部)

When it was first released in 1962, The Shape of Time presented a radically new approach to the study of art history. Drawing upon new insights in fields such as anthropology and linguistics, George Kubler replaced the notion of style as the basis for histories of art with the concept of historical sequence and continuous change across time. Kubler’s classic work is now made av...(展开全部)